Chris Rock

Source: The Hollywood Reporter

chris rock hollywood reporter

Chris Rock Pens Blistering Essay on Hollywood’s Race Problem: “It’s a White Industry”

Writing for THR’s current issue, the ‘Top Five’ writer, director and star tackles Hollywood’s third rail as he explains what it’s really like to be black in the entertainment industry (hint: you get asked to be Huggy Bear, not Starsky or Hutch) and the “slave state” of Mexicans: “If Kevin Hart is playing 40,000 seats a night, and Jon Stewart is playing 3,000 … why does Kevin Hart have to cross over?”

[Excerpts]

…It’s a white industry. Just as the NBA is a black industry. I’m not even saying it’s a bad thing. It just is. And the black people they do hire tend to be the same person. That person tends to be female and that person tends to be Ivy League. And there’s nothing wrong with that. As a matter of fact, that’s what I want for my daughters. But something tells me that the life my privileged daughters are leading right now might not make them the best candidates to run the black division of anything. And the person who runs the black division of a studio should probably have worked with black people at some point in their life. Clint Culpepper [a white studio chief who specializes in black movies] does a good job at Screen Gems because he’s the kind of guy who would actually go see Best Man Holiday. But how many black men have you met working in Hollywood? They don’t really hire black men. A black man with bass in his voice and maybe a little hint of facial hair? Not going to happen. It is what it is. I’m a guy who’s accepted it all…

…But forget whether Hollywood is black enough. A better question is: Is Hollywood Mexican enough?  You’re in L.A, you’ve got to try not to hire Mexicans. It’s the most liberal town in the world, and there’s a part of it that’s kind of racist — not racist like “F— you, nigger” racist, but just an acceptance that there’s a slave state in L.A. There’s this acceptance that Mexicans are going to take care of white people in L.A. that doesn’t exist anywhere else. I remember I was renting a house in Beverly Park while doing some movie, and you just see all of the Mexican people at 8 o’clock in the morning in a line driving into Beverly Park like it’s General Motors. It’s this weird town.

You’re telling me no Mexicans are qualified to do anything at a studio? Really? Nothing but mop up? What are the odds that that’s true? The odds are, because people are people, that there’s probably a Mexican David Geffen mopping up for somebody’s company right now. The odds are that there’s probably a Mexican who’s that smart who’s never going to be given a shot. And it’s not about being given a shot to greenlight a movie because nobody is going to give you that — you’ve got to take that.

The shot is that a Mexican guy or a black guy is qualified to go and give his opinion about how loud the boings are in Dodgeball or whether it’s the right shit sound you hear when Jeff Daniels is on the toilet in Dumb and Dumber. It’s like, “We only let white people do that.” This is a system where only white people can chime in on that…

…Now, when it comes to casting, Hollywood pretty much decides to cast a black guy or they don’t. We’re never on the “short list.” We’re never “in the mix.” When there’s a hot part in town and the guys are reading for it, that’s just what happens. It was never like, “Is it going to be Ryan Gosling or Chiwetel Ejiofor for Fifty Shades of Grey?” And you know, black people f—, too. White women actually want to f— black guys, sometimes more than white guys. More women want to f— Tyrese than Jamie Dornanand it’s not even close. It’s not a contest. Even Jamie would go, “OK, you got it.”

Or how about True Detective? I never heard anyone go, “Is it going to be Amy Adams or Gabrielle Union?” for that show. I didn’t hear one black girl’s name on those lists. Not one. Literally everyone in town was up for that part, unless you were black. And I haven’t read the script, but something tells me if Gabrielle Union were Colin Farrell‘s wife, it wouldn’t change a thing. And there are almost no black women in film. You can go to whole movies and not see one black woman. They’ll throw a black guy a bone. OK, here’s a black guy. But is there a single black woman in Interstellar? Or Gone GirlBirdmanThe PurgeNeighbors? I’m not sure there are. I don’t remember them. I go to the movies almost every week, and I can go a month and not see a black woman having an actual speaking part in a movie. That’s the truth…

…But there’s been progress. When I was on Saturday Night Live a few weeks ago, we did a sketch where I was Sasheer Zamata‘s dad and she had an Internet show. Twenty years ago when I was on Saturday Night Live, anything with black people on the show had to deal with race, and that sketch we did didn’t have anything to do with race. That was the beauty: The sketch is funny because it’s funny, and that’s the progress…

…I don’t think the world expected things to change overnight because Obama got elected president. Of course it’s changed, though, it’s just changed with kids. And when you’re a kid, you’re not thinking of any of this shit. Black kids watch The Lord of the Rings and they want to be the Lord of the Rings. I remember when they were doing Starsky & Hutch, and my manager was like, “We might be able to get you the part of Huggy Bear,” which eventually went to Snoop Dogg. I was like: “Do you understand that when my brother and I watched Starsky & Hutch growing up, I would play Starsky and he would play Hutch? I don’t want to play f—ing Huggy Bear. This is not a historical drama. This is not Thomas Jefferson. It’s a movie based on a shitty TV show, it can be anybody. Who cares. If they want me to play Starsky or Hutch, or even the bad guy, I’m down. But Huggy Bear?”…  (Complete article at the source.)

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